I will offer two separate interpretations of the song within the context of the game, and, by showing how these two interpretations coexist, will aim to reveal another aspect of precisely how the narrative of the game takes the player as one of its central elements - a theme which we’ve been working with for a while. But is there anything to say about the Elegy of Emptiness, besides shuddering and declaring it creepy? I think that there is, and that is the heart of my argument in this article. These statues are crucial to navigating the Stone Tower Temple, and they also look quite disturbing, resembling Link while at the same time seeming utterly inanimate. It allows Link to create a statue version of whatever form in which he is currently manifested - Hylian, Deku, Zora, or Goron. This is the song taught to Link by Igos du Ikana (5:40 in the video), the king of the Ikana whom I mentioned much earlier in this series. One cannot avoid the haunting, barely-explained plot device that spawned the horror story “ BEN drowned,” along with countless memes of a Link Statue vacantly grinning at you. In any analysis of “Majora’s Mask” that purports to be comprehensive, there must be an account of the Elegy of Emptiness. The following is an entry in “A Comprehensive Theory of Majora’s Mask,” a series that analyzed the storytelling of Majora’s Mask from the time its 3D remake was announced to the time the remake was released. A Comprehensive Theory of Majora’s Mask.
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